Along with Milton Caniff, Frank defined this style, both having worked with the incredible Noel Sickles, their style is refined (?) from early ink drawings of the master illustrator Harold Von Schmidt.
Robbins began his Johnny Hazard series at the end of WW2, and what a fun run it was!
Alex Toth loved (and hated) his work. There was a point at which Toth felt Robbins had lost something, and when exactly that might be is up to debate. Robbin's style in the 1970s differed vastly from his early work, but then, everyone's art evolves.
He was one of the masters of light and shadow, design and compostion. He placed large ink areas into the art with absolute confidence and grace.
Color on the strip was primitive as was a consequence of the time, technology and media, and yet, it works. A single image often held so much, but not in a cluttered way.
Many are the discussions on the difficulty of depicting water, and variety of style to do so. Robbins knew how.
Hazard was an adventure strip at its best, with all the feel of men's adventure and the pulps, and a touch of what makes Indian Jones so fun.
Robbins!
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